Oreste Gialanella - Wet plate glass negative and photogram
Oreste Gialanella – Wet plate glass negative and photogram
EJ Carr - Wet plate glass negative and photogram
EJ Carr – Wet plate glass negative and photogram
Anna Lanzara - Wet plate glass negative and photogram
Anna Lanzara – Wet plate glass negative and photogram
David Hodgson - Wet plate glass negative and photogram
David Hodgson – Wet plate glass negative and photogram
Ian Summers - Wet plate glass negative and photogram
Ian Summers – Wet plate glass negative and photogram
Father Joseph Petrillo - Wet plate glass negative and photogram
Father Joseph Petrillo – Wet plate glass negative and photogram
Ira Bell Guilford - Wet plate glass negative and photogram
Ira Bell Guilford – Wet plate glass negative and photogram
Susan Gialanella - Wet plate glass negative and photogram
Susan Gialanella – Wet plate glass negative and photogram
Eugene Brennan - Wet plate glass negative and photogram
Eugene Brennan – Wet plate glass negative and photogram
Lauren Stegeland - Wet plate glass negative and photogram
Lauren Stegeland – Wet plate glass negative and photogram
Janet Taylor Pickett - Wet plate glass negative and photogram
Janet Taylor Pickett – Wet plate glass negative and photogram
Geraldine Sims - Wet plate glass negative and photogram
Geraldine Sims – Wet plate glass negative and photogram
Ali Kazim - Wet plate glass negative and photogram
Ali Kazim – Wet plate glass negative and photogram
Holland and Sumner Corbett - Wet plate glass negative and photogram
Holland and Sumner Corbett – Wet plate glass negative and photogram
Alan Farnham - Wet plate glass negative and photogram
Alan Farnham – Wet plate glass negative and photogram
Alexander Imich PhD - Wet plate glass negative and photogram
Alexander Imich PhD – Wet plate glass negative and photogram
Chris Biddlecombe - Wet plate glass negative and photogram
Chris Biddlecombe – Wet plate glass negative and photogram
Chris Kelly - Wet plate glass negative and photogram
Chris Kelly – Wet plate glass negative and photogram
John Lewis - Wet plate glass negative and photogram
John Lewis – Wet plate glass negative and photogram
Kim Wheeler - Wet plate glass negative and photogram
Kim Wheeler – Wet plate glass negative and photogram
Matthew Garrett - Wet plate glass negative and photogram
Matthew Garrett – Wet plate glass negative and photogram
Scotty Prince - Wet plate glass negative and photogram
Scotty Prince – Wet plate glass negative and photogram
Tenzin Tsetan - Wet plate glass negative and photogram
Tenzin Tsetan – Wet plate glass negative and photogram

THE MANUAL PROJECT: The Personalities of Hands

With our hands we grasp the world. Hands are used as weapons yet they can also heal the sick – they can caress or crush. There are chakras in our hands and worshipers stand with palms raised. Fortune tellers unveil our futures and reveal our pasts in our palms, while handwriting is analyzed to expose our deepest secrets. Hands hold our absolute legal identities in the fingerprints which make each of us unique. Touch is one of our most perceptive senses. Hands distinguish humans from lower species.

While we control our world with our hands, the hands themselves are also shaped by our worlds. People who work with their hands – doctors, sculptors, magicians – reveal their histories in their hands, whether it’s their softness from being protected in surgical gloves, nicks and burns from working with tools, or flexibility and grace from performing prestidigitation.

MANUAL is a collection of portraits of people from diverse backgrounds, occupations, ages, and cultures from around the globe. In each hand portrait is a study of the person’s dominant hand, revealing evidence of how they have lived, who they are, and what they may become.

It is a collaboration between photographer and subject to expose their hands and their personalities. Without the distraction of faces, these images become honest and deeply perceptive portraits, reflecting the lifestyle, habits, and sensitivity of each subject.

Using 19th century collodion wet-plate techniques, I photographed each person’s dominant hand. Then we collaborated to make a camera-less photogram of the palm print. Combining the two images with the subject’s handwriting, I created one portrait of each person from three perspectives.

The photograph makes a richly detailed image with special tonalities exposed by the wet-plate collodion medium’s sensitivity to blue wavelengths of light. The photogram reveals the texture and pressure of the hand on the paper and captures gesture. The handwriting shows how each person expresses themself from yet another perspective. The three elements combine bring to light a new perception of each person.

The series comprises 150 portraits that reflect the diversity and the commonalities of humanity.

The Manual Project is documented in the book MANUAL, and also a limited edition handmade fine art book and the work is available for exhibition including 40″x50″ archival inkjet prints and 11″ x 8.5″ salt prints of selected glass plates. There are even 3d printed versions of the book.