2019 – Ongoing
Collodion Wet-plate collodion photogram on stone, stand made of welded steel and rock – 3.5″x5″ up to 8″x8″ not including stand
The “Anthropocene” fossils are imaginary records of flora and fauna that might be found in a future geologic era. They are evidence of what was and hints of how it might have been extinguished. Just as the real fossils found by humans fill in the story of what lived and how it died in earlier geologic era, these created fossils are evidence what what might be becoming extinct as a result of human activity.
2014 – Ongoing
Collodion Wet-Plate glass negatives scanned and enlarged, manipulated in Photoshop and digitally printed up to 96″ wide.
Borderlands is an exploration of panoramic landscapes derived from small areas cropped from the edges of contemporary collodion wet-plate images. The hand-made nature of the wet-plate process creates artifacts which appear to be gigantic landscapes but in reality are just inches across.
2014 – ongoing
3D printed artist books/sculptures of photography and text. PLA resin, digital prints on paper, USB drives, fabric, wood, found objects, pens, pencils, cameras – various sizes 2″x3″ up to 8″x5″ – some are edition 1 of 1 others are in editions of 10
The Gutenberg series of 3D printed books deals with the evolution of books and how knowledge may be distributed in the future. The content of these 3D printed books cannot be accessed – it is sealed inside the PLA resin binding. You must destroy the book to read the book. These books require the viewer/reader to trust the artist – is the content really in there or not? You can see something is inside but you don’t know if it is really as the artist claims. Much of the artwork which is bought and sold requires trust in the artist and the dealer, and these books expand upon that leap of faith.
2007 – Ongoing
Installation includes 21 3D printed PLA Resin Sculptures approx. 12″ tall, 1 Bronze sculpture approx. 16″ tall, 14″x11″ Silver Gelatin Photograms
Ascent explores this evolution from today’s analog man to tomorrow’s digital man. As today’s environment of digital interrelationships evolves from history’s analog world man continues to change and adapt. In my Ascent project, I utilize historic analog photographic processes and cutting edge digital modeling technologies to create 3 dimensional digital sculptures from 2 dimensional analog photograms. The technologies evolve similarly to the evolution of man.
Wet-Plate Collodion, Silver-Gelatin Photograms, Salted Paper Prints, Digital Pigment Prints, 3D printed PLA Resin sculptures, Artist Books, Trade Edition Book, salted paper prints 10″x8″, digital prints 15″x22″ and 40×52″, sculptures up to 5×8″
MANUAL is a collection of portraits of people from diverse backgrounds, occupations, ages, and cultures from around the globe. In each hand portrait is a study of the person’s dominant hand, revealing evidence of how they have lived, who they are, and what they may become. It is a collaboration between photographer and subject to expose their hands and their personalities. Without the distraction of faces, these images become honest and deeply perceptive portraits, reflecting the lifestyle, habits, and sensitivity of each subject.
Digital prints of the Camera Obscura images of New York City
Together Charles Schwartz and Bill Westheimer explored the city of New York on the upper east side of Manhattan using a Camera Obscura. These pictures reveal the city through the unique viewpoint of the camera obscura and record the images digitally. The Camera Obscura’s location is fixed, yet it provides an ever changing view of the city’s activities, architecture and landscape. The images use the pre-photographic camera obscura technology combined with post-photographic digital capture to create a timeless view of New York. The digital camera instantly captures the ephemeral projections in a clear crisp reality that transports the viewer into other worlds.