Lumen print after chemical processing, scanning and digital processing

What Remains

2020 – ongoing
digital pigment print, lumen print on silver gelatin or Ilfochrome, photogram
20×24″ edition of 10
What Remains is my next series imagining what will survive after our planet can no longer sustain human life.

Anthropocene

Anthropocene

2019 – Ongoing

Collodion Wet-plate collodion photogram on stone, stand made of welded steel and rock – 3.5″x5″ up to 8″x8″ not including stand

The “Anthropocene” fossils are imaginary records of flora and fauna that might be found in a future geologic era. They are evidence of what was and hints of how it might have been extinguished. Just as the real fossils found by humans fill in the story of what lived and how it died in earlier geologic era, these created fossils are evidence what what might be becoming extinct as a result of human activity.

Borderlands

2014 – Ongoing

Collodion Wet-Plate glass negatives scanned and enlarged, manipulated in Photoshop and digitally printed up to 96″ wide.

Borderlands is an exploration of panoramic landscapes derived from small areas cropped from the edges of contemporary collodion wet-plate images. The hand-made nature of the wet-plate process creates artifacts which appear to be gigantic landscapes but in reality are just inches across.

Gutenberg

2014 – ongoing

3D printed artist books/sculptures of photography and text. PLA resin, digital prints on paper, USB drives, fabric, wood, found objects, pens, pencils, cameras – various sizes 2″x3″ up to 8″x5″ – some are edition 1 of 1 others are in editions of 10

The Gutenberg series of 3D printed books deals with the evolution of books and how knowledge may be distributed in the future. The content of these 3D printed books cannot be accessed – it is sealed inside the PLA resin binding. You must destroy the book to read the book. These books require the viewer/reader to trust the artist – is the content really in there or not? You can see something is inside but you don’t know if it is really as the artist claims. Much of the artwork which is bought and sold requires trust in the artist and the dealer, and these books expand upon that leap of faith.

Ascent

2007 – Ongoing

Installation includes 21 3D printed PLA Resin Sculptures approx. 12″ tall, 1 Bronze sculpture approx. 16″ tall, 14″x11″ Silver Gelatin Photograms

Ascent explores this evolution from today’s analog man to tomorrow’s digital man. As today’s environment of digital interrelationships evolves from history’s analog world man continues to change and adapt. In my Ascent project, I utilize historic analog photographic processes and cutting edge digital modeling technologies to create 3 dimensional digital sculptures from 2 dimensional analog photograms. The technologies evolve similarly to the evolution of man.

Pythagoras

2016

Wet-Plate Collodion on Laser etched Trophy Aluminum (Tintype) 6″x8″ or 6″x6″ or 4.25″x5.5″

After 35 years of making photograms I felt challenged to make something new, but it seemed I had photogrammed every kind of object. I decided to create my own objects to make photograms with – and the best place to start is with simple geometric shapes.  I 3D printed geometric shapes which were placed on the wet tintype and exposed to light. Before making the photogram I laser-etched photographs of the geometric objects onto the aluminum to achieve a layered effect. I was able to produce new imagery of timeless shapes using 19th century analog process combined with 21st century laser etching and 3D printing.