How to make Crickets Making Salted Paper Prints for Crickets
Projects tagged with ''process''
Manual Project Behind the Scenes
Behind the scenes of the Manual Project. During a week’s artist residency at the Hospitalfield Arts Center in Arbroath Scotland I photographed about 25 people from all walks of life and many countries including Scotland, New Zealand, England, and Pakistan
Pythagoras
2016
Wet-Plate Collodion on Laser etched Trophy Aluminum (Tintype) 6"x8" or 6"x6" or 4.25"x5.5"
After 35 years of making photograms I felt challenged to make something new, but it seemed I had photogrammed every kind of object. I decided to create my own objects to make photograms with - and the best place to start is with simple geometric shapes. I 3D printed geometric shapes which were placed on the wet tintype and exposed to light. Before making the photogram I laser-etched photographs of the geometric objects onto the aluminum to achieve a layered effect. I was able to produce new imagery of timeless shapes using 19th century analog process combined with 21st century laser etching and 3D printing.
Manual Project
2005-2014
Wet-Plate Collodion, Silver-Gelatin Photograms, Salted Paper Prints, Digital Pigment Prints, 3D printed PLA Resin sculptures, Artist Books, Trade Edition Book, salted paper prints 10"x8", digital prints 15"x22" and 40x52", sculptures up to 5x8"
MANUAL is a collection of portraits of people from diverse backgrounds, occupations, ages, and cultures from around the globe. In each hand portrait is a study of the person’s dominant hand, revealing evidence of how they have lived, who they are, and what they may become. It is a collaboration between photographer and subject to expose their hands and their personalities. Without the distraction of faces, these images become honest and deeply perceptive portraits, reflecting the lifestyle, habits, and sensitivity of each subject.
Elementary
2016
Tintype photograms of 3D printed geometric objects on trophy aluminum - 4.25"x5.5" up to 8"x10" tintypes
After 35 years of making photograms I felt challenged to make something new, but it seemed I had photogrammed every kind of object. I decided to create my own objects to make photograms and felt the best place to start is with simple geometric shapes. I designed geometric shapes in Tinkercad and printed them using a Makerbot Replicator 2 3D printer in a translucent PLA resin. The geometric objects are placed on the wet tintype and exposed to light. I was able to produce new imagery of elementary timeless shapes using 19th century analog process combined with 21st century 3D printing.
Gutenberg
2014 - ongoing
3D printed artist books/sculptures of photography and text. PLA resin, digital prints on paper, USB drives, fabric, wood, found objects, pens, pencils, cameras - various sizes 2"x3" up to 8"x5" - some are edition 1 of 1 others are in editions of 10
The Gutenberg series of 3D printed books deals with the evolution of books and how knowledge may be distributed in the future. The content of these 3D printed books cannot be accessed – it is sealed inside the PLA resin binding. You must destroy the book to read the book. These books require the viewer/reader to trust the artist - is the content really in there or not? You can see something is inside but you don't know if it is really as the artist claims. Much of the artwork which is bought and sold requires trust in the artist and the dealer, and these books expand upon that leap of faith.
Blog posts tagged with ''process''
Tag: process
technology used to produce work
Herbarium – behind the scenes
The nature prints in my Herbarium series are incredibly simple. You coat a sheet of watercolor paper – I use Fabriano Artistico – with a salt solution and let it dry. Then when it is time to make the print you paint silver nitrate on your specimen – mine are leaves – with a foam …
PhotoLA 2020 with Imlay Gallery
Imlay Gallery will be showing my Borderlands prints and Anthropocene sculptures in their booth at Photo LA January 30 to February 2 at the Barker Hanger in Santa Monica CA. The Anthropocene and Borderlands work can be seen here on my website and also on the Imlay Gallery’s Artsy site.
Exhibition Lab
How do I get there from here? You might wonder where is here? and there? Good questions! First – The Exhibition Lab run by Michael Foley of the Foley Gallery helps participants get from here to there. The Exhibition Lab is a monthly critique group which helps participants refine their work to be exhibition ready. …
Ravages of Time
I was asked to do a couple of hand portraits to raise money for a worthy cause: Write on Sports – an organization that teaches inner city kids to write by writing news articles about sports. Back in 2005 I photographed about 100 people for my MANUAL Project. But I hadn’t done any “hand portraits” …
Gimme a Hand!
A time lapse video of making a hand sculpture using the Makerbot Replicator 2. The process was involved: At the Digital Atelier in Hamilton NJ we created a plaster cast of my hand and then made a high resolution scan of the plaster cast. The file had to be edited to cut the hand at …
Time Machine
How in the hell did I do that? Sometimes when I look back at an older photogram or print that I made I wonder how I got an effect or what kind of process I was using. Fortunately I have my own personal time machine. It works some of the time. It is pretty simple. …
Making a Sunbeam
A recipe for a Silver Sunbeam – A glimpse at how I made a 21st century edition of the classic 19th century book of photographic techniques. John Towler’s 1864 “Silver Sunbeam” was a revolutionary book that shared recipes for making those very new and magical things called photographs. The PDF of the 1864 edition The …
Necessary Complications
Some would say I like to make things unnecessarily complicated, and that might be true. Sometimes I wonder what it would be like to just press a button and be done with a picture, but I simply don’t know when to leave well enough alone. Take for example my new series Pythagoras… Named for one …
Open a Vein
“There’s nothing to writing. All you do is sit down at a typewriter and open a vein.” (said to be from Ernest Hemingway, but the quote has been attributed to others and the source probably predates Hemingway.) Regardless of who said it, the sentiment is real. Writing isn’t hard, but writing well is very hard. …