
2020 - ongoing
digital pigment print, lumen print on silver gelatin or Ilfochrome, photogram
20x24" edition of 10
What Remains is my next series imagining what will survive after our planet can no longer sustain human life.
2016
Wet-Plate Collodion on Laser etched Trophy Aluminum (Tintype) 6"x8" or 6"x6" or 4.25"x5.5"
After 35 years of making photograms I felt challenged to make something new, but it seemed I had photogrammed every kind of object. I decided to create my own objects to make photograms with - and the best place to start is with simple geometric shapes. I 3D printed geometric shapes which were placed on the wet tintype and exposed to light. Before making the photogram I laser-etched photographs of the geometric objects onto the aluminum to achieve a layered effect. I was able to produce new imagery of timeless shapes using 19th century analog process combined with 21st century laser etching and 3D printing.
2007-2009
4.25"x5.5" Collodion Wet-Plate on Glass and Aluminum, 8"x10" Silver-Gelatin prints, Digital Prints
MOMENTO is a collection of human experiences and the technological dreams triggered by our cameras. The cameras capture our experience in mere fractions of seconds, but the cameras themselves endure to reflect the technology and aspirations of their eras. The memories we connect to the cameras are significant, sentimental and cherished.
2016
Tintype photograms of 3D printed geometric objects on trophy aluminum - 4.25"x5.5" up to 8"x10" tintypes
After 35 years of making photograms I felt challenged to make something new, but it seemed I had photogrammed every kind of object. I decided to create my own objects to make photograms and felt the best place to start is with simple geometric shapes. I designed geometric shapes in Tinkercad and printed them using a Makerbot Replicator 2 3D printer in a translucent PLA resin. The geometric objects are placed on the wet tintype and exposed to light. I was able to produce new imagery of elementary timeless shapes using 19th century analog process combined with 21st century 3D printing.
2007 - Ongoing
Installation includes 21 3D printed PLA Resin Sculptures ranging from 13.5" to 8.5" tall, 1 Bronze sculpture approx. 16" tall, 180 14"x11" Silver Gelatin Photograms
Ascent explores this evolution from today’s analog man to tomorrow’s digital man. As today's environment of digital interrelationships evolves from history’s analog world man continues to change and adapt. In my Ascent project, I utilize historic analog photographic processes and cutting edge digital modeling technologies to create 3 dimensional digital sculptures from 2 dimensional analog photograms. The technologies evolve similarly to the evolution of man.
2003-2005
Digital prints of the Camera Obscura images of New York City
Together Charles Schwartz and Bill Westheimer explored the city of New York on the upper east side of Manhattan using a Camera Obscura. These pictures reveal the city through the unique viewpoint of the camera obscura and record the images digitally. The Camera Obscura's location is fixed, yet it provides an ever changing view of the city's activities, architecture and landscape. The images use the pre-photographic camera obscura technology combined with post-photographic digital capture to create a timeless view of New York. The digital camera instantly captures the ephemeral projections in a clear crisp reality that transports the viewer into other worlds.
techniques using both analog and digital processes
“Photographs do not lie” …. but then again, they don’t tell the truth either. I like to say that and I love to make pictures that don’t tell the truth. A good example is my Borderlands series. They appear to be panoramic landscapes. But they are actually gigantic enlargements of the artifacts on the …