2020 - ongoing
digital pigment print, lumen print on silver gelatin or Ilfochrome, photogram
20x24" edition of 10
What Remains is my next series imagining what will survive after our planet can no longer sustain human life.
How to make Crickets Making Salted Paper Prints for Crickets
Behind the scenes of the Manual Project. During a week’s artist residency at the Hospitalfield Arts Center in Arbroath Scotland I photographed about 25 people from all walks of life and many countries including Scotland, New Zealand, England, and Pakistan
2019 - Ongoing
Collodion Wet-plate collodion photogram on stone, stand made of welded steel and rock - 3.5"x5" up to 8"x8" not including stand
The “Anthropocene” fossils are imaginary records of flora and fauna that might be found in a future geologic era. They are evidence of what was and hints of how it might have been extinguished. Just as the real fossils found by humans fill in the story of what lived and how it died in earlier geologic era, these created fossils are evidence what what might be becoming extinct as a result of human activity.
2016
Wet-Plate Collodion on Laser etched Trophy Aluminum (Tintype) 6"x8" or 6"x6" or 4.25"x5.5"
After 35 years of making photograms I felt challenged to make something new, but it seemed I had photogrammed every kind of object. I decided to create my own objects to make photograms with - and the best place to start is with simple geometric shapes. I 3D printed geometric shapes which were placed on the wet tintype and exposed to light. Before making the photogram I laser-etched photographs of the geometric objects onto the aluminum to achieve a layered effect. I was able to produce new imagery of timeless shapes using 19th century analog process combined with 21st century laser etching and 3D printing.
Camera-less image making using light and objects to create an image on an analog chemical light sensitive material. Many of the very first images made using chemical processes were photograms.
The nature prints in my Herbarium series are incredibly simple. You coat a sheet of watercolor paper – I use Fabriano Artistico – with a salt solution and let it dry. Then when it is time to make the print you paint silver nitrate on your specimen – mine are leaves – with a foam …
What we’ve been doing…. Lisa and I presented our work for the Peters Valley Artist Talk Series on May 5th, 2021. I love to talk about my art but talking about myself is excruciating. It was a wonderful opportunity to explain how my various projects relate to each other and fit into the context of …
Five of my Anthropocene sculptures will be in the show “Vanishing Worlds” at the Gallery at 14 Maple in Morristown NJ from March 12 to August 19, 2020. Because of the COVID-19 virus the opening has been postponed – date to be determined. Curated by Yvette Lucas the show also features Susan Ahlstrom, Janet Boltax, …
Imlay Gallery will be showing my Borderlands prints and Anthropocene sculptures in their booth at Photo LA January 30 to February 2 at the Barker Hanger in Santa Monica CA. The Anthropocene and Borderlands work can be seen here on my website and also on the Imlay Gallery’s Artsy site.
How do I get there from here? You might wonder where is here? and there? Good questions! First – The Exhibition Lab run by Michael Foley of the Foley Gallery helps participants get from here to there. The Exhibition Lab is a monthly critique group which helps participants refine their work to be exhibition ready. …
A recipe for a Silver Sunbeam – A glimpse at how I made a 21st century edition of the classic 19th century book of photographic techniques. John Towler’s 1864 “Silver Sunbeam” was a revolutionary book that shared recipes for making those very new and magical things called photographs. The PDF of the 1864 edition The …
Some would say I like to make things unnecessarily complicated, and that might be true. Sometimes I wonder what it would be like to just press a button and be done with a picture, but I simply don’t know when to leave well enough alone. Take for example my new series Pythagoras… Named for one …
When I was little we used to “play war” which meant the neighborhood kids would roam the neighborhood with fake guns and hide behind bushes and sheds to surprise ambush their friends shouting “Bombs away!” or “Bang!” or “Boom: you’re dead!” That was the 1950’s and 60’s when the true war fears had caused the …
Assignment: get a bunch of drugs and make a picture. Well, not exactly like you are thinking. One of my favorite clients, Nancy Etheredge at E.P. Dutton Publishing hired me to do a cover photogram for a hard bound book “Intoxication – Life in Pursuit of Artificial Paradise” by Ronald K. Siegel, Ph D. Sounded …
